Mount a short shotgun just outside the frame, angled toward the chest, about a hand’s length overhead. On-camera placement hears the room, not the voice. Boom from the side if ceilings are low, and cushion the mount to reduce handling rumble during expressive gestures.
Hide the capsule on the sternum line using medical tape or a vampire clip, then add a tiny loop for strain relief. Sandwich in moleskin or a furniture felt dot to kill clothing rustle. Test whispers, laughs, and head turns before rolling for confidence.
A dynamic microphone rejects room reflections beautifully at close range. Place it just out of frame with a boom arm, speak off-axis to tame plosives, engage a high-pass filter, and keep your mouth a fist away. Monitor through closed-back headphones to catch clipping early.
Move closer to soft furnishings, face a corner, and pull a thick blanket across a clothes rack to build a halfway booth. Stack cushions at first reflection points. Kill the fridge temporarily. Your viewers will hear intention instead of kitchen tiles and hallway slap.
Set input gain so peaks sit safely below clipping while breaths remain audible. Use a pad if shouting, or a booster for quiet mics. Monitor the noise floor between lines. Record a safety channel ten decibels lower for unpredictable laughter and surprises.
Wear closed-back headphones and listen during rehearsals and rolling takes. If you hear hum, systematically mute sources until it disappears. Watch meters while clapping near the mic. Invite a friend to leave feedback on intelligibility; they’ll catch what your focused brain overlooks.